
by Christina LaMaster
Mary Trunk’s feature length documentary, Lost in Living, deals with the emotional and practical tensions which arise when artists

What is so impactful in this film are the ambiguities expressed by these mother/artists—the need to be creative contrasted with the often mundane activities of child-rearing and house work; the feelings sometimes amounting to desperation when they speak about the interruption of their artistic careers and the difficulty of getting back on track; the cavalier dismissal by many in the art world of the value of motherhood; and the regret expressed especially by the older artists at the feeling that they neglected their children for the sake of their art.
Trunk’s own struggle with both motherhood and filmmaking inspired her to make the film, and her objective/observational role as a documentarian allows each woman’s journey to be understood. Lost in Living, does not make a case for choosing between motherhood and art. Trunk does, however, with both hard-eyed realism and immense sympathy, show us how difficult it is to manage both. In this film mother/artists will see themselves and their struggles laid out before them and perhaps feel a little less alone, a little more recognized for their efforts. This documentary is a must-see for all artists, women, and mothers who may consider themselves “lost” in living.
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Christina LaMaster is a photographer, installation and video artist. A fifth-generation Nebraskan, she has spent most of her life in the Midwest, teaching and holding various program and administrative positions at museums and community arts centers. She now calls Central Illinois home, and recently earned her MA in Studio Art from Bradley University. She is particularly interested in women’s issues, motherhood and the idea of the “maternal gaze.” Chrissy is the mother of two college-aged children, and has spent the last 20 years attempting to find a balance between motherhood and art.
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